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THE
SOURCE WEEKLY - Bend, OR
I
hate to cast myself into the cesspool of writers
who declare from mountaintops, barstools, or blog
posts that any one band is “going to be
the next big thing.” But I suppose it’s
time I hop into the cesspool. Flowmotion will
soon be a huge player on the live music scene.
There I said it.
Read
the whole article. |
SEATTLE
POST-INTELLIGENCER
Energetic
Jimi Hendrix guitar bravado, driving funk
bass lines and Clauson's gruff vocals help
ground the songs within the rock genre, while
the band's tendency to break into unscheduled
improv keeps the live shows fun and flamboyant. |
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TACOMA
WEEKLY
The band unifies crowds with its vocal melodies,
harmonies and stellar rhythm section. It moves
seamlessly through original compositions with
a liberating mixture of world-funk, jam-rock
and sweet ballads that beg total abandonment
of self. |
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SPOKANE
PRESS
Something happens in the air when Flowmotion
play. Even people like me who don't have on
rhythmic bone in their body can't resist moving
to the music. |
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L-R:
RL Heyer, Josh Clauson, Scott Goodwin,
Sabu Miyata, Bob Rees |
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For
Flowmotion Publicity please contact:
Erin
Bruce
StokedSiren Management
mgr@stokedsiren.com
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| RELIX
MAGAZINE - On the Rise
Flowmotion
may be a Northwest gem, but through constant live
shows they have matured into stage veterans about
to break onto the national scene.
As
an observer I sense (Flowmotion’s) confidence.
The band had already played a killer rendition
of Pink Floyd’s “Pigs (Three Different
Ones),” and renewed an old song with fresh
energy-Clauson ripped into a wicked solo and just
as it was reaching its limit, the band went double
time for a triumphant finish. And what happened
next was… Sabu went insane on his bass …
Sabu’s bass became a beast, and he beat
it into submission. By the end of the jam, he
was on his knees, a beatific smile on his face,
winding up the neck and then gently back down.
He wrangled that jam and then laid the reins at
the feet of the band, and … they roused
the song up for one final crescendo while the
crowd whooped and hollered.
It
was that elusive peak that people follow a band
across the country to climb.”
Read
the whole article. |
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RELIX
MAGAZINE - Scene & Heard
"Annual
festivals, loyally supported, weave elements that
bind and build community and Flowmotion's annual
homegrown and hand-built festival is one example
that surpasses expectations. The White Horse Amphitheater
sits nestled in shaded campgrounds with glacier-fed
streams as backdrops. Ample car parking enables
the 4,000 fans to pack in or car camp. It's hard
not to be impressed by a campsite that features
sofas, occasional tables, wood-fired smokers and
lighting supplied the Milky Way."
Flowmotion
"unleashed a week's worth of furious energy
for nearly three hours with Josh Clauson at the
helm, flanked by Bob Rees (percussion and drums),
Sabu Miyata (bass), Scott Goodwin (drums, vocals)
and RL Heyer (guitar, lapslide). Heyer's addition
to the lineup has tightened the band and added
some well-matched rock guitar to complement Clauson's
ranging style."
"I
love High Sierra, enjoy Bonnaroo, tolerate others
but can't live without Summer Meltdown."
Read
the whole article. |
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